Blatant self-promotion here - The Security Project (one of the bands with which I tour) just released a new live album taken from our last tour. All the keyboard parts were realtime using only Gig Performer.
In particular, the last piece, the Genesis Medley which I created and arranged, uses about 30 rackspaces and with the benefit of Gig Performer’s Patch Persist™ feature, I was able to cycle through all the sounds I needed as I was playing with absolutely no glitching.
It sounds fantastic, David. I also went on TSP website and listened to some additional songs. I particularly like your version of “Games without Frontiers!”. How are you managing synchronization of the LFO/PAN filter sweep in sound? Do you have some type of tap-tempo going, or is the band playing to a click of some type at that point?
At the beginning of the chorus, starting on the word ‘knockout’, going through “If looks could kill they probably will.”. At 2:32 on the version on the securityproject.com home page.
Yes that is correct, I play two keys which are mapped to the same note. When I start playing, a ramp is triggered that slowly opens the filter.
When I stop playing those notes, that ramp resets, ready for the next time. There is no LFO.
