Some photos from Facebook

Hans van Stippent

I’ve been gigging as a hobby in a 60/70/80s cover band for several years now using my Kronos 2 61 combined with 2 MIDI keyboards (NI Komplete Kontrol A61 and Arturia Keylab 61 Essential). All sounds come from the Kronos.

Goal: to remove the Kronos from this setup and replace it with a VST solution, because of the weight of the Kronos and the lack of a real successor in case of failures.

This the setup:
1 = Mic AKG D5 via XLR to Motu M4 Mic In 1 L
2 = Headphone Beyerdynamic DT 990 Pro to Moto M4 (only for home use)
3 = Keylab Essential 61 via MIDI to Moto M4 MIDI In
4 = NI Komplete Kontrol A61 via USB 2.0 to laptop
5 = Laptop (ASUS Vivobook s Flip TP3402VA-LZ062W) with Gig Performer & Arturia V Collection X via USB 3.2 to Motu
6 = Samsung Galaxy Tab A with MobileSheets via MIDI over USB to laptop
7/8 = L/R Motu Monitor or Line Out to in 1/2 Vol/Exp Pedal
9/10 = 1/2 out Korg XVP-20 Vol/Exp Pedal to stagebox
11 = stagebox out to IEM LD Systems MEI One
12 = wireless IEM transmitter to belt pack receiver

Gérard Paramé

FoH from Reunion Island, Gig Performer used for kick, snare, lead vocal and FX.

Mike Stabile, Facebook.

Rock solid shows this weekend. To anyone thinking about Gig Performer, it’s a no brainer.

Jim Brady, Facebook

My setup for a night of Steely Dan at the Buffalo Rose in Golden, CO Gonna be fun. Gig Performer makes it a no worry night.

Joe Malik

That one toggle widget is mapped to each of the bottom button rows; it pulls up the GUI for each VST.

Joe only uses 8 patches: CFX Grand, 2 Rhodes V8 patches – 1 straight, 1 “Ballad” – the Rhodes Wurli, the Clav Clone, 2 B3x patches for lower-manual comping – 1 clean, 1 dirty – and a classic Jupiter-8 horn patch.

He plays blues and classic R&R. He has all the GUI’s mapped to the front-panel controls so he can “fly” every VST live. It’s as KISS as it gets.

It is interesting to me how much more I use the Rhodes and the Wurlitzer than the standard piano, as tremendous as the CFX Grand is. The electric piano tones lend themselves to more spread voicings–tenths, drop-2’s, inversions with internal movement–and they not only cut through better, but they add so much more.

We don’t do anything tricky–tone-wise, anyway–I need the horns for things like Sweet Caroline, or whatever, and if the sax player comes up with something that I want to double on the spot. Classic sounds for classic tunes. In the old days, I’d have literally a ton of gear I’d be hauling to do this – a piano, a Rhodes, a Wurlitzer, a B3, a Clav, a synth. My whole rig weighs less than 40 lbs. including cases. I’m retired military; my back doesn’t handle it well. And even though this band has a roadie, it’s nice to be able to give him just a few cases that he can load onto a cart.

Best part about this is, the band has a roadie/soundman who’s built like a jackhammer operator or refrigerator mover, and he schleps your gear to and from the stage for you. He gets paid as a band member, but wow, money well spent.

Aaron Carey

Paint Audio CE-1!

Earlier he did a roll his own much much more powerful one with an M1 Mac Mini and a touchscreen, but the CE-1 puts it in a convenient package.

CPU Usage: around 30%. He has been picking super low COU plugs and the new NAM A2 at the lite setting.