As promised, here’s my attempt at recreating this one. The fun was in the recreation of the Fairlight CMI cello sound, as well as the ‘frozen’ reverb pad. The gig file uses Arturia Pigments and CMI V, plus a few effects that I guess you could source from anywhere (paid or free). I’ve put a few playing tips in the Song Part titles. No drums included, as I’m a keyboard player 
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Running Up That Hill.gig (806.1 KB)
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Can you explain the gain and balance in addition to a mixer? seems redundant but there is no context here as to the why and how all this works. If you mentioned that elsewhere please let me know thank you.
Perhaps to serve as Master Gain?
Right—the mixer serves to blend the signals, the Gain/Balance plugin controls the overall volume of those blended signals. Consider it like having a ‘group fader’ on a mixing board.
thanks, I understand that, however, I just see that is more of a global thing especially since he is sending it to the global rack, but I get it
Hi @robertlmusik
I usually add a Gain block at the end to reduce the overall level. I always watch the Gig Performer level meters, and if the signal gets too hot, I reduce it to avoid clipping. It depends on how and what I play (single lines vs two handed chords).
Thanks
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