Overhead, a Finnish rock act I joined last year, has been celebrating its 25 year history this year with gigs in the countries where we enjoy playing the most.
I’ve been slowly and steadily improving my GP based setup and live-sounds throughout the year. Our singer is also working on switching from his old TC Voicelive Rack to a plugin-based chain, also utilizing Gig Performer as the main host. Upcoming weekend will be his first time on stage with GP.
First, a photo of the hardware side, taken in Netherlands in May 2024. We were travelling for one week, and this was our fourth gig. My old and beat-up but still perfectly functional Roland A800 Pro as a “master” controller keyboard, (rented) Hammond XK-3C for organ stuff. During May I was still using a 2nd gen iPad pro as a second screen (just monitoring what was happening inside GP, the laptop was out of reach on the side when performing).
During the summer I started learning open-stage-control and built this control layout. A tiny old tablet I got for peanuts can be nicely velcroed on top of the midi keyboard and used for viewing and tweaking channel and FX send levels, so no need for a separate stand anymore like in May.
And here’s what I have visible on the setlist mode. The open-stage-control layout is pretty much mirroring this with “color coded” FX knobs: purple for reverb, green for delay, light blue and gray for either insert FX or cutoff and resonance settings on a synth plugin.
Earlier this year I published this basic rackspace-template on my website. It tremendously speeds up setting up new songs and keeps my plugins more organized in the wiring view.
Our drummer also has a tablet, which he is using for two things: launching our visuals and at the same time sending OSC messages, so our singer’s vocal rig and my laptop will receive BPM values and play/stop signals. This tempo syncing is essential for time based effects and some simple synth sequences I have programmed for some songs.
A couple of videos of some of the longer numbers in our setlist, first one from that same gig in the Netherlands 12th of May:
And here’s another one from Fusion Festival, UK.
And just for the joy of keyboard nerds, here are the essential plugins for my Overhead live-sounds
Synths: TAL J-8 and U-No-LX2, GForce Oberheim OB-X, u-he Repro-5, Synapse The Legend, Arturia Pigments, D16 Group Phoscyon 2
Piano, rhodes, wurly: Keyscape, AcousticSamples C7
IK Multimedia TR5 Leslie (hardware organ through software leslie)
Other FX and polishing: Valhalla VintageVerb, Delay and Shimmer, Sixth Sample Deelay (wonderful free Delay!), Melda MEqualizer, Fabfilter Pro-Q3, Analog Obsession LALA, Stellar
Go ahead and grab my rackspace template! Only plugin you’ll need is the free MEqualizer.
And if you wish to control this rackspace template via OSC, here’s my open-stage-control file.