In this video, Mike Rosenstark discusses how switching to Gig Performer has fundamentally changed his live performance setup. After years of using various platforms like Ableton Live, MainStage, and Reaper, Mike explains why he now relies on Gig Performer for its reliability and ease of use in handling complex real-time processing.
Key Rig Highlights:
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Software Integration: The setup triggers Pianoteq 8, FM8, and Rob Papen’s Vector synth simultaneously, utilizing octave transpose controls for greater flexibility (2:11 - 3:11).
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External Gear: The creator keeps specific guitar-centric processing outside the box, utilizing two Fractal Audio AX8 units for hands-on foot control (1:23 - 1:48).
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Unique Additions: The rig also incorporates four internet radio stations for experimental textures during live performances (3:31 - 3:49).
Coming up later in the video:
Following the technical introduction, the video transitions into an extended musical improvisation (4:00 - 27:59) where the creator demonstrates these tools in practice, featuring a mix of synthesis, piano sounds, radio samples, and extensive real-time effects.
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For Mike, Gig Performer represents a major shift because it makes managing complex, real-time live performance rigs significantly easier and more stable compared to previous software solutions he has used.
Key reasons Gig Performer has been an absolute game-changer include:
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Reliability: After struggling with crashes and complications in other environments like MainStage, Ableton, and Reaper over the years, the creator finds the stability of Gig Performer to be a massive improvement (0:24-1:18).
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Ease of Workflow: The creator notes that building and routing complex signals—such as triggering multiple software instruments (Pianoteq 8, FM8, and Vector) simultaneously while managing octave transposition—has become remarkably simple (2:00-3:11).
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Integration: It allows the creator to seamlessly bridge their software setup with external hardware, such as their Fractal Audio processors, providing a cohesive environment for real-time effects and live improvisations (1:23-1:48, 3:31-3:49).