Backstage with Gig Performer videos

Beyond-a-tribute keyboardist – Thaddäus Weindl

This live stream features special guest and power Gig Performer user Thaddäus Weindl. The primary focus is on how to integrate Gig Performer with Ableton Live using Open Sound Control (OSC) to automate live performances.

Key Topics Covered:

  • OSC Fundamentals: Thaddäus explains that OSC is a flexible network-based protocol that allows software to communicate without the limitations of traditional MIDI (3:47 - 6:23).

  • Setting Up Communication: A step-by-step guide on configuring OSC targets and ports to establish a link between Gig Performer and Ableton Live (9:13 - 11:14).

  • The Max for Live Patch: Thaddäus showcases a custom Max for Live patch he developed to bridge the communication gap, allowing features like scene selection, playback monitoring, and visual feedback (17:42 - 28:16).

  • System Integration: Demonstrations of how to map widgets to automate scene start/stop, display real-time bar/beat positions, and control track volumes directly from hardware (like the S88 keyboard) (25:04 - 38:00).

  • Advanced Use Cases: The video also touches on using multiple Gig Performer instances, syncing widgets across instances, and controlling external software via local networks (42:24 - 49:41).

In the video, Thaddäus Weindl and Brett Pontecorvo highlight several reasons why Gig Performer is an exceptional tool for live musicians:

  • Free Routing and Flexibility: Thaddäus explains that he was fascinated by the free routing capabilities of Gig Performer (3:00), which he found far superior to other host software he had used previously.

  • Low CPU Usage: A major advantage noted is its efficiency. Thaddäus mentions that unlike other software, Gig Performer handles system resources much better, allowing for a more stable live experience (2:50, 19:05).

  • OSC Support: The software provides powerful support for Open Sound Control (OSC) from the start (3:30). This allows users to control external software, hardware, and multiple Gig Performer instances over a network without being limited by traditional MIDI restrictions (4:24, 42:24).

  • Advanced Automation: By using Gig Performer alongside Ableton Live via OSC, musicians can automate sound changes, backing tracks, lighting, and even video triggers, enabling them to focus entirely on their performance (7:40).

  • Preset Management: Gig Performer is highly effective at remembering complex settings for specific songs or rackspaces, which Thaddäus finds crucial for his live sets (40:48).